Dec. 5th, 2018

rainsometimes: Zoro smiles. Text: "Nice" (zoro approves)
Hullo, everyone, old and new!

Since Tumblr happened to flag one of the entries, I've decided to re-post something I did last year on Tumblr to Dreamwidth: I went through all 38 volumes of the Ranma 1/2 manga and picked out one page that stood out in particular to me, for various different reasons. It's more squee than serious analysis. (I had initially intended to keep going with other complete manga series I own, but predictably I ran out of speed...)

I hope it will be okay to post these like I did on Tumblr, with the page image first and the commentary below. Let me know if the image gets too wide for anyone, and I'll see if I can adjust it or else use a cut!
rainsometimes: (Default)
(Art runs left to right for it is flipped)



Part one of this repost series from Tumblr where I picked one page per volume of Ranma 1/2. Most of my volumes are from the original, flipped translation of the series, so the art on them will run left to right as above. But I have filled the gaps in my collection with the new omnibus editions, which are unflipped. For each post I will mention which is which.

The pages picked are just down to my own whims: a drawing I particularly like, a characterisation moment that lingers for me, a type of page composition I want to point to, nice shippy Ranma/Akane moments... There's unavoidable character bias. Ranma/Akane is my favourite ship and almost my only ship in fact, while Ryoga and Akane are my two favourite characters. [Although I didn't wind up with quite as many Ryoga pages as I might have thought, so I think I could keep my bias at least a little in check!]

Here, I picked one of the very first pages of the story, from the very first chapter. Back when I first read this, I had never seen this way of laying out a page before. Akane is off to the right -- left in the Japanese original -- and is running sort of above/on top of several other panels, perceived as either the second panel on the page or alongside the middle and bottom panels as a kind of "meanwhile" image. Or both. You could say she breaks out of the strict chronology of the panel flow in order to be introduced to us properly.

I think this is something Takahashi had picked up from shojo comics? (I could well be wrong.) But I remember it stood out for me when I first browsed through the comic book in the comics shop, way way back then.

I would love to hear what other people think about this! Whether or not you like Ranma 1/2 or are just interested in what goes into a comics page.

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